After debuting on the New York Times bestseller list, Gabriela Garcia’s OF WOMEN AND SALT continues to accumulate great press. In coordination with the GMA book club, Garcia appeared on Good Morning America to discuss the inspiration for her novel and the impact she hopes it will have on perceptions of immigration and Latinx identity. Garcia also sat down for an interview with B&N reads, and with the New York Times for its “Inside the List” column to talk about how it felt to see her debut become a bestseller – “an occasion Garcia described as ‘beyond my wildest dreams.’” Flatiron Books published the novel on March 30, 2021.

Deadline announced on April 15 that Carrie Mulligan will star in Netflix’s adaptation of Jaroslav Kalfar’s debut novel, SPACEMAN OF BOHEMIA. This news comes on the heels of Adam Sandler and Paul Dano’s commitment to the project, with Channing Tatum, among others, set to produce. Little, Brown and Company the book on March 7, 2017.

Samantha Silva’s forthcoming LOVE AND FURY received a glowing full-page review from Ms. Magazine. Halley Sutton writes: "There's no one way to be a woman in the world. But the blueprint that Mary attempts to leave for her daughter in LOVE AND FURY - independent thinking, education for the purpose of enriching the mind and not for capturing a husband, equality between the sexes as the only way to attain freedom within partnerships - is a blueprint for all…LOVE AND FURY is a beautifully written call to all of us to fill our own brief time with as much love, wisdom, suffering and. most important, beauty as possible." Flatiron Books will publish the novel on May 25, 2021.

Judson Brewer joined Ezra Klein on The Ezra Klein Show podcast to discuss UNWINDING ANXIETY. Klein says: “[Brewer] argues that anxiety is a kind of addiction, and that like any addiction you have to understand its rewards in order to begin addressing it. I think it’s a pretty interesting framework. I’m not saying it has cured me of anxiety, but it’s given me a much more generative way to think about it and to approach it.” Avery published the book on March 9, 2021.

Historian Audrey Clare Farley’s book on the life and involuntary sterilization of 1930s socialite Ann Cooper Hewitt, THE UNFIT HEIRESS, published this week to a flurry of coverage. Excerpts were featured in CrimeReads, Town & Country, and Ms. Magazine on publication day, and all three publications—along with Book Riot—named THE UNFIT HEIRESS a best book of April. Glowing reviews came in from the New York Post, The Progressive, and the New York Journal of Books, and Farley sat down for Q&As with Rewire News and The Progressive to discuss her research for the book. Farley also published an original essay in Salon about the legacy of eugenics in America, and held a virtual launch with Belletrist on Instagram Live to celebrate publication. Grand Central Publishing published the book on April 20, 2021.

Carole Johnstone’s debut novel MIRRORLAND launched in the US and UK this week to great fanfare. The book was named one of CrimeReads’ “Seven Debut Novels You Should Read This Month,” and Johnstone sat down for a Q&A with the Nerd Daily, where she self-describes her novel as a “gothic psychological thriller about love and betrayal, redemption and revenge, the power of imagination and the price of freedom.” The New York Times also featured MIRRORLAND on their list of recommended thrillers, writing: “In this unsettling, labyrinthine tale, it is hard at first to tell who the villain is — or even how many villains there are in a family with a great deal to hide. The book unlocks its mysteries slowly, twisting the knife a little deeper with each revelation.” Scribner published the novel on April 20, 2021.

The New York Times published a business cover story by GOLDEN GATES author Conor Dougherty titled “One Way to Get People Off the Streets: Buy Hotels.” Dougherty writes: “[T]he pandemic, which according to a dire early projection could have killed 25,000 homeless people in the state, added two sorely needed ingredients — federal money and an excuse to move fast. With the travel industry hobbled and stimulus money continuing to flow, [California] Gov. Gavin Newsom has since doubled down by creating a program to buy hotels in hopes of creating permanent homeless housing en masse…In a blizzard of transactions that sidestepped many of the local rules that make California one of the nation’s hardest places to build, the state spent $800 million on 94 projects that will become permanent supportive housing, or housing that is paired with on-site social services.” Penguin Press published the book on February 18, 2020.

2034 by Elliot Ackerman and James Stavridis received a glowing review from The Wall Street Journal. They write: “It is hard to write in great detail about what ensues in this novel without giving away the drama of its denouement. Suffice it to say that there is conflict and catastrophe on a large scale, and it unfolds, as major conflicts tend to, with surprising twists and turns…This is not a pessimistic book about America’s potential, but the picture of the world it paints before the central conflict will be a difficult one for many to accept, albeit one well supported by facts: The wealth and power of the U.S. are in relative decline, especially compared with a rising Asia’s.” Penguin Press published the novel on March 9, 2021.

Xiaolu Guo’s A LOVER’S DISCOURSE received a glorious review from Commonweal Magazine. The reviewer writes: “In Guo’s telling, we belong either to a world someone else speaks into being, or we are locked out of it… Where can we belong if we feel separated from ourselves, if language divides us from a shared reality with others? How real can we be without common ground? In the end, what holds Guo’s narrator together is not definition but negotiation—the linguistic clashes, corrections, and concessions that build her hybrid voice.” Grove Press published the novel on October 13, 2020.

Dawnie Walton’s THE FINAL REVIVAL OF OPAL & NEV appeared on The New Yorker’s Briefly Noted. They praise the way “the novel offers a lively take on the music industry’s commercialism, racism, and sexism, and also a commentary on how history and memory are refracted through changing cultural currents.” 37 Ink published the novel on March 30, 2021.